Category - Bollywood

Meri Pyaari Bindu Critic Reviews

Meri Pyaari Bindu has received better reviews than the other release Sarkar 3 – although the ratings aren’t good enough to make a big difference at the box office. [mks_button size=”medium” title=”Average Rating of All ‘Meri Pyaari Bindu ‘ Review – 2.5 stars” style=”rounded” bg_color=”#1e73be” txt_color=”#FFFFFF” icon=”” icon_type=””] Meri Pyaari Bindu Review by Bollywood Hungama Rating: After having worked as an Assistant Director in highly acclaimed films like THE NAMESAKE, WATER and VANITY FAIR, Akshay Roy makes his debut with MERI PYAARI BINDU. While his direction is strictly okay, it’s the lack of a taut screenplay which majorly hampers his direction. Despite all the glitches in the film, Akshay Roy manages to sail his way through the film. The film’s first half is interesting, breezy and sunny, which will have everyone take an instant liking to it. The tempo of the first half is fast paced and in sync with today’s times, making one will feel connected with the proceedings. It’s the second half however that crashes the film like a pack of cards. Review by Rajeev Masand on News18 Rating: Quite interestingly, director Akshay Roy has kept in mind, even the minutest details, to make sure this breezy romantic tale turns out differently from the rest. The bantam detailing– whether its recreating the old school charm or maintaining today’s connect – throughout add an unexplainable weight to the narration and ends up building a parallel universe of sorts. Special word for the way this film has been shot and the way dialogues have been weaved. Like there’s a scene shot at Marine Drive, where the two discuss their equation and Bindu calls Abhi her “chhat waala kamra (terrace room) wherein she can find solace at any point in her life. Another scene towards the end beautifully connects a cassette to one’s life. Review by Shubhra Gupta on Indian Express Rating: For a rom com (as one character in the film points out so presciently, how different can love stories be) to stand out from the ones that have been done before, setting, situations and characters have be new. Or new-ish. Ayushmann Khurrana, as the steadfast Bubla (lovely touch, that pet name), fares a little better because he is given more to play with. Parineeti Chopra is written minus requisite depth, and stays on the surface. Yes, she is bubbly, and cute, and all the descriptors given above, but that’s not enough. Review by Dipanjan Sinha on Hindustan Times Rating: The director, nonetheless, must be applauded for bringing the 80s Kolkata and current-day Mumbai on to the screen with the minutest of details. From the signature Goddess Durga idol overshadowing people to the property brokers of Mumbai advising a single girl that landlords prefer to rent out flats to a married woman. Review by Nihit Bhave on The Times Of India Rating: It’s a delight to watch Parineeti Chopra, especially because she has a lot more to do. Her character has quirks and flaws and lows and highs and she’s more realistic. In comparison, Ayushmann’s one-note character seems to exist only to deal with the consequences of Bindu’s actions. But Khurrana manages to be charming in spite of that. Review by Ananya Bhattacharya on India Today Rating: Akshay Roy’s hero Ayushmann shoulders Abhimanyu with an ease that even a Bengali-speaking actor might not have been able to. Parineeti is vivacious as ever. She shines in her role as Bindu. These two young actors are the fulcrum of a well-oiled machine that doesn’t leave you unsatisfied. Or ill-satisfied. Sachin-Jigar’s music adds to the overall charm of Meri Pyaari Bindu. Review by Saibal Chatterjee on NDTVMovies Rating: Meri Pyaari Bindu is a whimsical look at youthful ambition and the urge for freedom. The lead characters nurture opposing approaches to life and yet they get along like a house on fire. The boy has an overly protective mother (Aparajita Auddy) who does not leave him alone for a second; the girl has an alcoholic armyman-father (Prakash Belawadi) whose irresponsible ways has tragic consequences. But they aren’t moaners. They take the smooth with the rough without losing their cool. Review by Sukanya Verma on Rediff Rating: In the absence of nuance, all the gadgetry and dialogues overdosing on pop culture references beginning with the film’s title, are akin to the umpteen frames and furniture littering its two main characters’ rooms. While it doesn’t say much about their sloppy personalities, it sure reflects the messy state of Akshay Roy’s directorial debut written by Suprotim Sengupta. Review by Manisha Lakhe on Nowrunning Rating: One request to Yash Raj. Please step out of the studios and see how young people dance or behave when happy. They certainly don’t go to gigantic studio spaces fitted with empty tram cars and jump simultaneously in the air. The song is so pointless and out of touch with reality… But yes, Parineeti Chopra has a wonderful singing voice, and even though her songs are lost in the inanity of Ayushman’s droning of his story, she deserves half a star for her talent. I wish she has better luck with the script next time! This one was mostly ‘acting’ bindaas or dumb but pretty girl. Review by Rohit Bhatnagar on Deccan Chronicle Rating: Ayushmann is natural in the film but the problem is he is the same in every film. Also, the light hearted scripts given to him could be blamed. He might change his game with Sriram Raghavan’s upcoming thriller. Parineeti Chopra herself is repetitive as the bubbly girl but that doesn’t take anything away from her convincing portrayal. One scene in particular, where she breaks down in the hospital, will leave you in tears. Another one where she converses with her father is moving as well. Rest of the cast is hilarious and apt in their respective roles but there is hardly much to do, Ayushmann and Parineeti being central characters. Review by Harshada Rege on DNA India Rating: Parineeti’s character is fun, but fickle. She gets a lot more to play with. The movie suffers because the plot is too thin and at times it seems to lose it’s way. Director Akshay Roy tries to attempt a rom-com that isn’t run-of-the-mill, but the pace of the movie is a letdown. He has successfully created the Kolkata of the 80s, but fails to draw you completely in this world. Review by Shaheen Parkar on Mid-Day India Rating: As Bindu, Parineeti’s main task is to look good and fulfill her singing aspirations. She is back on the scene after a three-year gap. Her last outings, Daawat-e-Ishq and Kill Dill in 2014, proved to be damp squibs. Her styling, however, looks extremely 2017 even when she travels back in time. The attention given to her look, is more than on the narrative. In one of the scenes while walking along Marine Drive, Ayushmann (he’s done his best) chomps on a badly burnt bhutta. It was overdone, just like the romcom which is far from engaging with too many layers. The parents are reduced to mere caricatures while the flavours of Kolkata are infused to explain the love of a Bengali guy for a South Indian girl. Review by Kunal Guha on Mumbai Mirror Rating: Director Akshay Roy fleshes out this one-sided love story sensitively but barely engages the audience in the experiences had by the lead cast. It is, perhaps, for investing less in establishing the characters and hoping to glide through their traits by spelling them out, that it comes across as lazy and ineffective Review by Vishal Verma on Glamsham Rating: Being an YRF movie, the technicalities and art work is fantastic. The essence of Kolkatta is felt thanks to the ‘jeebone ki pabo na’ number and special mentioned to those evergreen classics remembered in the film that gives a smiling deja vu. Music by Sachin Jigar on the other hand is hummable while watching the film. The chemistry between Ayushmann Khurrana and Parineeti Chopra is on and off and the writer is to be blamed for this and it’s a serious drawback. Meri Pyaari Bindu Review by Indiaglitz Rating: ‘Meri Pyaari Bindu’ is a sweet and sour type of film, which has many sweet moments indulged in it and at the same time thanks to the weak screenplay the movie ends up with mild sour type of feeling. Review by Subhash K Jha on Bollyspice Rating: Khurrana as the hangdog loverboy is the saving grace of this dreadfully vapid non-romance about an annoyingly self centered chick who needs to exercise some self-discipline (unless she thinks Kangana Ranaut in Queen is a role-model) and a guy who needs to get himself a life. The film goes through several decades of fads and fashion changes until it comes to a screeching halt with a finale that is as pointless as the prattle and preening that goes on for the most tiresome two hours of your life. Review by Meeta on Wogma Rating: Meri Pyaari Bindu is that rom-com that doesn’t offer much new, but it still engages, entertains and makes you sob for you remembered that one heartbreak that took your faith in relationships away from you. Review by Jaidev Hemmady on Movietalkies Rating: The plot seems to be a combination of Ae Dil Hai Mushkil and the upcoming Half Girlfriend… which means, it has nothing new to offer and the sight of Abhimanyu mooning over Bindu throughout the duration of the film, may not appeal to the audience. This is not to say that the film doesn’t have its moments. The Kolkata vibe has been captured impressively by the director and some of the scenes are quite touching (like the one where Bindu reconciles with her estranged father), but such scenes are few and far between. Meri Pyaari Bindu is a slightly entertaining fare if you walk in with zero expectations. Best Rated Films in 2017 Anaarkali of Aarah – 3.4 stars Trapped – 3.4 stars Jolly LLB 2 – 3.2 stars Poorna – 3.2 stars Kaabil – 3.2 stars Rangoon – 3.1 stars Badrinath Ki Dulhania – 3 stars Haraamkhor – 3 stars The Ghazi Attack – 2.9 stars Raees – 2.9 stars Noor – 2.5 stars Ok Jaanu – 2.5 stars Naam Shabana – 2.5 stars Phillauri – 2.4 stars Running Shaadi – 2.4 stars Maatr – 2.3 stars Commando 2 – 2 stars Irada – 2 stars Mona Darling – 1.9 stars Kung-Fu Yoga – 1.9 stars Laali Ki Shaadi Mein Laddoo Deewana – 1.6 stars Coffee With D – 1.5 stars Machine – 1 stars Aagaya Hero – 1 stars

Sarkar 3 Critic Reviews

[mks_button size=”medium” title=”Average Rating of All ‘Sarkar 3 ‘ Review – 1.9 stars” style=”rounded” bg_color=”#1e73be” txt_color=”#FFFFFF” icon=”” icon_type=””] Sarkar 3 Review by Indicine Rating: Sarkar 3 is a film that had no business of being made in the first place and unfortunately the jaded story and the tired characters come across from the start of the film. The pace of the film doesn’t elevate from its initial stages even though a thriller should have had much faster pacing. If you’re in the mood to spend your money on entertainment, then Baahubali 2 is still the best option this weekend. Sarkar 3 Review by Bollywood Hungama Rating: First things first. All those who plan to watch SARKAR 3 because of the track record of its previous two instalments, will be hugely disappointed because of the film’s majorly flawed writing (Ramkumar Singh). The film has absolutely no story plot or premise. It is just loaded with gimmicks based on the previous two films (SARKAR and SARKAR RAJ), and the makers are just trying to encash on the franschise name. The film lacks detailing in every aspect. The dialogues in the film are way too corny and one can’t help but just laugh at it after a point. Sarkar 3 Review by Sreeju Sudhakaran on Bollywood Life Rating: There is a major scene, where an important character gets killed mid-way, but apart from a newsbreak, there is no follow-up to this scene. Once again, RGV allows his cinematographer to go haywire, making this look like some student is attempting to impress his mentor with his camera-work. The background score is an ear-sore, with the popular Govinda Govinda theme sounding like it has been remixed by Badshah. Sarkar 3 Review by Mayank Shekhar on Mid-Day India Rating: You might wish to dig deeper. But between Sarkar’s long glances; dark, excessively moody, pretentious lighting in this flick that’s totally ‘indoorsy’ to the point of being claustrophobic, what you get is a wholly de-humanised view of the world, and a five-people economy, where people simply drop dead like pins, making you wonder if killing itself was so easy then what was the point of politicking in the first place. Review by Vishal Verma on Glamsham Rating: As and when Amitabh Bachchan comes on screen it reminds of the 2005 Subash Nagre, this deja vu is good for RGV as it still manages to give a glimmer of hope that all is not lost for RGV till yet. His comments on social media may not be taken seriously but still those who have grown up watching his cinema since SHIVA in 1989 know about his capabilities and are still waiting. The sentiments mentioned however are bad for SARKAR 3 as the movie follows the form of the original SARKAR but to diminishing effect. Review by Meena Iyer on The Times Of India Rating: Coming to the all-important question—is Ram Gopal Varma of Shiva, Satya, Company and the first part of Sarkar back in form? Well, you can see some flashes of the filmmaker’s intensity here. His Mahabharatha tale or palace politics as it is termed, plays out uninterruptedly. However there isn’t much intrigue because most of the twists are easy to guess. Some of the dialogue is pithy but then again, this accounts for little. Review by Rohit Vats on Hindustan Times Rating: Sarkar’s success relies on Amitabh Bachchan’s charisma, and he knows his character by heart. Despite over-chewed dialogues in the opening sequence, he holds our attention. The same can be said about Ronit Roy who sparkles in an emotional confrontation with Nagre. Review by Manisha Lakhe on Nowrunning Rating: Ronit Roy gets to play right hand man of Sarkar, and thankfully he gets to die in the crossfire when characters are double and triple crossing each other at the beat of the infernal ‘Govinda Govinda’ chant and beat that dominates the film score. When that chant showed up in Sarkar the original film, the audience loved it, because it turned the college graduate Shankar into Sarkar, In this film of all the double crosses crammed into the second half, the film collapses into one gigantic nought. Yes, Amitabh Bachchan certainly earns a star for his performance, but the half goes to whoever figures out why ‘Darling’ needed to be in the film… Review by Shubhra Gupta on Indian Express Rating: Bachchan shows signs of the towering actor he can be, but is captive to the way his Sarkar has been conceptualized and played: he declaims rather than speaks. And there are moments where you can see flashes of the director RGV used to be, when he pulled off films full of creative leaps, and crazy flourishes. Review by Jaidev Hemmady on Movietalkies Rating: The dialogues too are quite unimpressive and at many places, Nagre is seen saying his dialogues in Marathi and then repeating the same in Hindi, which comes across as absurd. The sub plots too are quite 70s with factory workers being victimized by their employers and shady builders plotting to clear slums by employing violence for their high-rises. To sum it up, if you are still a RGV fan, better stick to his earlier classics like Satya, Company and Sarkar…. Review by Samrudhi Ghosh on India Today Rating: Amitabh Bachchan is the highlight of this film, from his cold grey irises to his baritone that lets you know he means business. Ronit Roy and Amit Sadh hold their own in front of him. Manoj Bajpayee has an extremely interesting role in the film, but just when you think his clash with Sarkar will make Sarkar 3 worth its while, he is bumped off, without any follow-up or consequences. Review by Kunal Guha on Mumbai Mirror Rating: A large part of the film has been shot in dark rooms, where blurry shapes indulge in heavy-duty dialoguebaazi. One that sticks, is where Sarkar shuns his grandson, asking him to never show his shakal again. That this exchange happens in one such room where we only see silhouettes, is ironical.  Review by Saibal Chatterjee on NDTVMovies Rating: Sarkar 3 is a noir thriller that reduces politics to mere gunfights and bland verbal exchanges while the director of photography Amol Rathod goes to work with great gusto to offer us fractured frames in which nothing seems full and everything appears a tad tilted. He plumps for shadows and silhouettes and weaves geometric patterns with the way faces are aligned within the visual compositions. Review by Sreehari Nair on Rediff Rating: Satya ended with Varma talking directly to the audience as he scrawled out: ‘My tears for Satya are as much as they are for the people he killed.’ Here’s what is paradoxical: For sheer power, no imagery he has thought up since beats that white text on black screen. In his interviews, you felt that there burned in Ram Gopal Varma a constant yearning to be viewed as an enigma. If it helps, he has now truly become one. Review by Rohit Bhatnagar on Deccan Chronicle Rating: Amitabh Bachchan shot Sarkar Raaj in 2008 so naturally he has aged in the third film. He surely leads this not so thrilling film with his captivating performance but he is losing his impeccable script sense. Rohini Hattangadi and Supriya Pathak are passable in their cameos. Manoj Bajpayee is completely wasted in this political mishap of a film. Ronit Roy and Amit Sadh are good in their intense roles but Yami Gautam looks stoned throughout. She is just a pretty prop who is heart-stricken by her father’s death. The funniest of all, however, surprisingly is Jackie Shroff, who tries to ape Don (SRK) in every possible manner and makes a fool out of himself. His dialogues are unintentionally funny and his constipated face in the climax will leave you in splits! Parag Tyagi and Bharat Dhabolkar are mere pushovers in the film. Review by Rajeev Masand on News 18 Rating: Sarkar 3 is an improvement on many of Varma’s recent films, which, quite frankly, were unwatchable to say the least. Yet it’s steeped in familiarity and an overwhelming sense of repetition and pointlessness. Did we really need another Sarkar film? Sadly, the answer is no. Sarkar 3 Review by Indiaglitz Rating: ‘Sarkar 3’ is not a bad film but is not a great nor an exciting film. Amit Sadh is loud and jarring. Bajrangi Singh, Yami Gautam, Rohini Hattangadi, Parag Tyagi and Supriya Pathak are highly wasted. Jackie Shroff overacts. ‘Sarkar 3’ is like a squeaky roar due to bad screenplay and lethargic direction. The movie had all the potential to become big just like a mighty roar of a lion. Review by Subhash K Jha on Bollyspice Rating: Watch Sarkar 3 for the way Varma frames the familial feud in flames of fury. The performances are largely effective specially those by Ronit Roy and Amit Sadh. The latter comes into his own as Mr Bachchan’s uncontrollable grandson. But above all, this is one more triumphant celluloid outing for Amitabh Bachchan who invests his role of the aging tiger-neta with a kind of cosmic resonance that goes way beyond that famous baritone. Yup, they don’t make star-actors like Amitabh Bachchan any more. Ram Gopal Varma reminds us of the Bachchan charisma in ways that are deeply nostalgic and exceedingly provocative. Review by Meeta on Wogma Rating: This idea of mystery – to point the audience to the other direction and throw in something supposedly shocking – is the lamest way to narrate a thriller. The rest is the usual Ram Gopal Verma do. Dark rooms, loud drums, weird camera angles. In this midst, it seems out of place, but I am thankful that the purity of “jay dev jay dev” aarti (prayer) is retained. The decision is really easy. Pass this one, unless you have sworn to watch every single Amitabh Bachchan film. Yep, if you are the regular fan, you can easily give it a miss. Best Rated Films in 2017 Anaarkali of Aarah – 3.4 stars Trapped – 3.4 stars Jolly LLB 2 – 3.2 stars Poorna – 3.2 stars Kaabil – 3.2 stars Rangoon – 3.1 stars Badrinath Ki Dulhania – 3 stars Haraamkhor – 3 stars The Ghazi Attack – 2.9 stars Raees – 2.9 stars Noor – 2.5 stars Ok Jaanu – 2.5 stars Naam Shabana – 2.5 stars Phillauri – 2.4 stars Running Shaadi – 2.4 stars Maatr – 2.3 stars Commando 2 – 2 stars Irada – 2 stars Mona Darling – 1.9 stars Kung-Fu Yoga – 1.9 stars Laali Ki Shaadi Mein Laddoo Deewana – 1.6 stars Coffee With D – 1.5 stars Machine – 1 stars Aagaya Hero – 1 stars

Tubelight First Song ‘Radio’ Poster

A first song from Salman Khan’s next film ‘Tubelight’ will be out on 16th May. The superstar will be launching the song in Dubai. The makers have released a new ‘song’ poster for the song titled ‘Radio’. It has common people throwing the actor in the air, celebrating the uniqueness of the character and their love for him.

Shah Rukh Khan’s brilliant speech at TED Talks: Full Text

In the internet world these, most people are quick to close pages that have a 2500-word speech – but this ones well worth the time spent reading it. Full text of Shah Rukh Khan’s brilliant speech at TED Talks: “Namaskar. I’m a movie star, I’m 51 years of age, and I don’t use Botox as yet. So I’m clean, but I do behave like you saw like a 21-year-old in my movies. Yeah, I do that. I sell dreams, and I peddle love to millions of people back home in India who assume that I’m the best lover in the world. If you don’t tell anyone, I’m going to tell you I’m not, but I never let that assumption go away. I’ve also been made to understand there are lots of you here who haven’t seen my work, and I feel really sad for you.

Sarkar 3 Review

Nobody asked for the sequel of ‘Sarkar’ but arrive it did in 2008. And nobody asked for the sequel of that...

Bahubali 2 ends Aamir Khan’s club founding spree

S.S. Rajamouli’s ‘Bahubali 2: The Conclusion’ will become the first film (Hindi version only) to cross the 400 crore mark on Saturday. It’ll be for the first time that a non-Aamir Khan film will be crossing a ‘multiple of 100’ milestone. Ghajini created history back in 2008 when it became the first film of all-time to cross 100 crore. 3 Idiots exceeded every expectation and raced into 200 crore territory in 2009 and PK founded the 300 crore club in 2014.

Bahubali 2 is Highest Hindi Grosser of All Time, targets 500 crore

S.S. Rajamouli’s Bahubali 2 has shattered the record of the highest Hindi grosser of all-time, Aamir Khan’s Dangal which released during the Christmas weekend last year. The second week collections of the film has crossed the 140 crore mark – which is more than the lifetime collections of 2017’s highest grosser so far, Shah Rukh Khan’s Raees. It has also collected nearly 3 times more than Raees – a film that featured a major Hindi sueprstar – which goes to show the phenomenon that Bahubali 2 has become.

Sarkar 3, Meri Pyaari Bindu Box Office Prediction

Two Hindi films are scheduled to release this week – Amitabh Bachchan returns as ‘Sarkar’ in the third film in the series and Parineeti Chopra makes a comeback in ‘Meri Pyaari Bindu’. It’s a difficult week to make predictions because the ‘Bahubali 2’ storm is likely to sweep both films aside this weekend and unless the word-of-mouth is extraordinary, both will struggle for a decent lifetime.

‘Bahubali 2’ tops most watched trailers, Tubelight Teaser makes a mark

The trailer of ‘Bahubali 2: The Conclusion’ has become the most watched Indian trailer on YouTube. It has overtaken the trailer of Shah Rukh Khan’s Raees, which was the first to cross 50 million views. Not surprisingly, ‘Bahubali 2’ is the only film that has sold more tickets all over India than the number of views the trailer has received on the internet. 

The side effect of Bahubali 2: The Conclusion

‘Bahubali 2: The Conclusion’ is a once-in-a-lifetime film. A box office phenomenon like the S.S. Rajamouli film happens only once in a decade or two. The last time a film pushed the level of film business to an altogether different level was Sooraj Barjatya’s ‘Hum Aapke Hain Kaun’ and before that we’d probably have to go back as far as Ramesh Sippy’s ‘Sholay’. But a box office storm like ‘Bahubali 2’, a film that has shattered records across the country, has both advantages and disadvantages.

Dangal Worldwide Collections set to cross 900 crore today

Aamir Khan’s Dangal will become the first Hindi film to cross the 900 crore mark at the worldwide box office today. The film has collected around Rs 896 crore worldwide, which includes collections from markets like Taiwan and China. The China business alone has touched Rs 149 crore and will cross the 150 crore mark today.

Guardians of the Galaxy Vol 2 vs Dangal in China

Hollywood films have a huge market in China, but Hindi films haven’t yet reached out to a vast majority of the population. But Aamir Khan is changing all that and how! His latest release ‘Dangal’ is all set to surpass a major Hollywood film like Guardians of the Galaxy Vol 2, which has received critical acclaim across the world – but isn’t showing good trends in China.

Should makers release ‘full song promos’ of films?

There was a time, about a decade or so ago, when the audio version of popular songs actually helped sell tickets. Times have changed and the audience of today get to hear the song and also watch the full song promo – for free, without paying for the movie ticket. While releasing song promos does help in increasing revenue for music companies – who earn from YouTube advertising, etc – it takes a lot away from the experience of watching a full film in theatre.

I want to work with Salman Khan: Rohit Shetty

Rohit Shetty, one of the industry’s most successful directors, has expressed his eagerness to work with the country’s top star Salman Khan. The director said “he won’t lie” that he wants to direct a Salman Khan film. “I want to do a film with Salman. Karna hai jhooth kyun bolu (I want to, I won’t lie). I want to work with him.

Sachin Sachin Song Video – Sachin A Billion Dreams

For years, fans across the country have chanted ‘Sachin Sachin’ when the legendary cricketer walked out to bat. Now, we have a song on ‘Sachin Sachin’ which is a part of the Sachin Tendulkar biopic called ‘Sachin A Billion Dreams’. The song has been sung by Sukhwinder Singh and Kaly, with music composed by A R Rahman.

Dangal: First India film to cross $50 million overseas, could cross $100 million

Aamir Khan’s Dangal has become the first Indian film to cross the $50 million mark overseas and it could also become the first film to collect $100 million (Rs 650 crore) too – as the film is showing unbelievable trends in China. The Tuesday collections in China is better than its Monday business and the word-of-mouth is said to be extraordinary. The 5-day collections in China is more than the lifetime overseas business of all films barring the Top 9 (list below). With little or no competition in the next few weeks in the Chinese markets, trade estimates are now putting the China collections of the film at $60-70 million. 

Siddhanth Kapoor’s transformation to look like Dawood Ibrahim in Haseena

The makers of ‘Haseena: The Queen of Mumbai’ have released pictures of Siddhant Kapoor – who plays the role of Dawood Ibrahim in the upcoming film which features his real-life sister Shraddha Kapoor as Haseena Parkar. The actor’s transformation is what the picture – which was released on his Instagram page – reveals.