Rustom Poster

Here is yet another poster of Akshay Kumar’s upcoming film ‘Rustom’. The countdown has begun for the...

Anna First Look – Anna Hazare’s Biopic

The first look poster of a film titled ‘ANNA’ is out. It’s a biopic on Anna Kisan Baburao Hazare, a social activist who led movements to promote rural development and worked towards increasing government transparency.

Akira New Poster

A new poster of A.R. Murugadoss’ Akira starring Sonakshi Sinha in the lead is out. The film also stars Anurag Kashyap, Konkana Sen Sharma and Amit Sadh. Akira is a remake of Tamil film ‘Mouna Guru’. The film releases theatres on 2 September 2016.

Salman’s stardom ensures competition free release for Sultan

It’s a true sign of superstardom when the biggest of films from every language and industry, make way to give a ‘competition free’ release for Salman Khan’s Sultan. In May this year, Shah Rukh Khan decided not to release his film during Eid – a date which was first occupied by his keenly-awaited film ‘Raees’. (Read: Timeline of Raees vs Sultan clash)

Rustom New Poster

Here is the new poster of Rustom. The trailer will be out on 30th June at 9AM on Youtube. The release date of the film...

10 crore lawsuit filed against Salman Khan for ‘raped woman’ comment

A lawsuit has been filed against Bollywood superstar Salman Khan by a gang-rape victim from Hisar, Haryana. The lawyer of the victim is seeking Rs 10 crore in damages, after his client is said to be going through ‘a very troublesome period of psychological trauma’ after the actor comment on feeling like a ‘raped women’ while shooting for his film ‘Sultan’.

AskIndicine 26 June 2016: Live Now

Q. Please give the total (unadjusted) box office impact of 5 major actors – Salman Khan, Shahrukh Khan, Aamir Khan, Ajay Devgan and Akshay kumar starting from 1988. A. Shah Rukh and Salman were the top stars during the 90s. Shah Rukh and Aamir between 2000 – 2010. Salman and Aamir have the lead this decade. Ajay and Akshay weren’t in the top league of actors in the 90s, but have stuck around long enough to become bankable stars. You can check the following pages for collections of their films: Salman Khan Box Office Shah Rukh Khan Box Office Aamir Khan Box Office Ajay Devgn Box Office Akshay Kumar Box Office Q. In recent time in Bollywood has any actor, actress or director had two or more release in a single day? Please tell for three of them. A. It’s difficult to answer such questions in live QnA, but Shruthi Haasan had two releases on the same day – D-Day and Ramaiya Vastavaiya. Nikhil Advani had two back-to-back releases in Hero and Katti Batti. Can’t think of anything else at the moment. We’ll try and post an article on this if there are 4 or 5 instances. Update: A reader pointed out - Another example of an actor having two releases on same day is Amitabh Bachan. Khakee and Aetbaar released on same day in 2004 Q. Why Salman’s statement is not facing any wrath whereas Aamir & SRK had to face the wrath even though Salman said something far more worse? A. Not sure what you’re talking about here.. but most of Salman’s comments have been his personal opinions for which he has had to face outrage. He’s ridiculed almost every day and the outrage for his ‘raped woman’ comment was much more than necessary. On the other hand, Shah Rukh and Aamir’s comments were probably directed at the people of the country. Aamir’s comments of “thinking of leaving the country” was difficult to digest for a lot of fans, because the country has given him so much. It’s all behind them now.. FAN wasn’t affected. Dangal won’t be either. Q. Do you think Shahid Kapoor’s career graph is going the Aamir Khan way? Just like Aamir, Shahid is a terrific actor, but hasn’t really delivered big at the BO yet ( which was the case with Aamir too, for the initial 15-18 years of his career, apart from big hits like Raja Hindustani, DCH etc.). Do you think a movie like Ghajini can turn it around for Shahid? Please share your views. A. Aamir had three major hits – Qayamat Se Qayamat Tak, Dil and Raja Hindustani. Even Akshay and Ajay had 10-12 years or so before they hit the big league, so yes, given the fact that Shahid Kapoor is talented, he could still turn it around. Those days were a little different though. Actors used to work on 2-3 films simultaneously and seriousness with which current generation actors take each film – probably wasn’t there back in those days. What has worked for Aamir is his choice of films. Films like Lagaan, Dil Chahta Hai, Rang De Basanti and Taare Zameen Par were brave choices. It helped him grow his fanbase and also build the trust that the audience now have in him. Shahid is talented, but his choice of films needs to change quickly if he has to make it big in the industry. Udta Punjab – with all its critical acclaim – has been watched by far fewer people as compared to a film like Baaghi. While Shahid has stuck on to a director like Vishal Bhardwaj (his films are restricted to audience in 10 cities at best), Aamir was smart enough to not repeat his directors – unless it’s someone like Rajkumar Hirani who gives him pan-India audience. It isn’t a fair comparison anyway, Aamir is in a different league. Shahid has a long way to go. Q. Do you think Adult Comedy genre in Bollywood dying because of Censorship issues. Kyaa Kool Hai Hum 3 & Mastizaade almost became a regular comedy when audience very expective adult comedy in them. A. Don’t think so. Can’t comment on censor board issue without seeing the scenes that were cut. Kya Kool Hai Hum 3 and Mastizaade were bad films. The response to Great Grand Masti trailer has been fantastic. It’ll open well and probably do well too. Q. Why in Bangalore, Aamir has huge fan following compare to other big cities? A. He has fans everywhere. Mysore (includes Bangalore) and West Bengal circuits are known as the ‘class’ circuits. Films that are multiplex targeted do well here. For example, a ‘Zindagi Na Milegi Dobara’ will perform much better in Mysore circuit as compared to ‘Krrish 3’. Q. Why there is so much negativity around Mohenjo Daro? Yes, the trailer was not upto the expectations but it was not bad even better than many of 2016? A. The trailer was generally not received very well, but negativity from a section of the media was shocking. Some even went to the extent of asking people not to watch the film. A few others said it’s historically inaccurate, without even watching the film. It could be a case of very high expectations from Hrithik – Ashutosh and the subject that they were dealing with. It’s better to wait for the film, because Ashutosh’s films are way better than his trailers. Q. Thoughts on Anushka’s lineup? A. It’s going to be a big year for Anushka Sharma. Priyanka and Deepika have moved to Hollywood, so Anushka is the top choice for the big stars in the industry. She has one release during Eid (Sultan) and next film is during Diwali (Ae Dil Hai Mushkil). If both films work, she’ll be one of the top female stars in the industry. Q. As we all know AR Rahman is a great music director.. But he does not get much offer from Bollywood.. What is the reason? A. Rahman picks the films that he wants to do. No dearth of offers. Filmmakers should also be able to afford him and his music doesn’t always suit every genre. Q. Once both SRK told that he wished to make a Film Franchise based on Mahabharata that will have a budget on par with Hollywood Films & even will try to rope in Hollywood Producers. Do you think there is a distant possibility in future of this? We all know SRK is a daring producer & actor and he even tried to raise the bar with Ra.One but not quite succeed, has country’s best VFX studio & even tried something like FAN & a Dwarf Film too. A. Even Aamir Khan has said in several interviews that making a Hindi film on Mahabharatha has been his dream for several years now. It could be a perfect film for the three Khans and maybe a few other top actors to come together to make a biggie. A director like Rajamouli or Gowarikar could be roped in too. No better time, because the genre is working. However, it could take years for the film to complete and putting it all together could be a difficult task. Getting the cast right is crucial for a film based on Mahabharatha, if the actors don’t suit the iconic characters they play, the film won’t work. Q. Why movies like Baby and Drishyam were ignored at IIFA? A. Nothing surprising. Don’t they have a long history of ignoring good films and performances? Q. When will we see trailer of Rustom and what shall be the impact if Mohenjo Daro and Rustom release on same day? A. Theatrical trailer is expected this Tuesday (28th June). We’ll do an article on the clash after the trailer of Rustom is out. It’s difficult to comment without watching the trailer. Q. Which is the most awaited movie of 2016? Pick any one. From trade, audience’ point of view. A. It’s got to be Sultan and Dangal. Biggest release periods and the biggest of stars. Q. During 2006, Hrithik was on top, even bigger than khans. What actually he needs to do to regain his position? A. Most actors don’t do films to be the top stars in the industry. It’s the fans who want to see their favourite star on top. For a lead actor, it’s all about box office success (profitable for investors) and audience appreciation. As for Hrithik, he has never really been in the number game. If Mohenjo Daro works big, he’ll be in the Top 3.. if it disappoints, it’ll be a major setback for him. That’s the risk you take when you do one film in 2 years. Too much at stake. Even bigger risk if there is a clash with another major star. It’s not going to be easy for Mohenjo Daro to recover costs if it’s anything less than an excellent film. Q. Can the SRK-Alia starrer ‘Dear Zindagi’ get a good opening due to SRK ? OR the audience knows that he will be extended guest appearance , so there will be no initial? A. Impossible to comment before the trailer. Depends on a lot factors, but SRK’s presence will obviously give the film a massive boost. A 15 crore plus opening is also a possibility, which would be unthinkable without Shah Rukh in the film. Quick answers from now on.. Q. What are inside details of Sultan? Censor board cleared with zero cut is it sign of good film? A. Salman films will never have a problem with the censor board, most of them are clean family entertainers. Q. Madaari release date? A. July 15. Q. How much Salman’s rape remark will affect Sultan ? A. Zero impact. In fact, it’ll help the film because a few critics have decided not to watch it. Q. How would you connect yourself with Indiciners in just one word? A. Difficult to explain in one word. Love the interaction and we do read each and every comment and also the tweets. Q. What’s the worldwide gross of Housefull 3? Is it set to cross FAN worldwide? A. Currently, Housefull 3 is about 5 crore short of FAN. Both films could be at around the same level by the end of Housefull 3’s run. FAN was better overseas, Housefull 3 did better in India. Q. Has Dangal shoot wrapped up? When we can expect its first teaser/trailer. How the film shaped up if you have any inside report. What is next film of Aamir after Dangal? A. They are still shooting for the film. There have been reports that a teaser could be attached to Mohenjo Daro. We haven’t heard any positive or negative reports of the film, so can’t comment on how the film has shaped up.  There have been plenty of rumours about Aamir’s next film, but his publicity has told us he hasn’t signed any film. So no confirmed film after Dangal. Q. Did SRK face any bad phase during his long 24 years career like that of Salman khan’s bad phase(2000-2009) and Amir khan (2002-2008)? A. His bad phase is better than the good phase of a lot of other actors. Even though FAN flopped, it still did nearly 190 crore worldwide. Q. What could be the worst case and best case net lifetime collections of Sultan? A. It’s difficult to put a lower or upper limit. Anything can happen at the box office. Let’s just say worst case 130 – 140 and best case could be 350 plus. Q. Gadar or Hum Aapke Hain Kaun ,among them which one was a bigger hit and had more footfalls? A. Hum Aapke Hain Kaun. Q. My apology for unintentionally bashing your team with my comments on your posts lately. Its just that I felt it that way and your negative posts fuelled it further. My question in its simplest form: How could slight historical inaccuracies hurt the movie’s business?? Yeah, I admit the selection of scenes in the trailer could have been more varied as for most of the part was simply centred on the fight involving those two giant warriors. But still why is there a needless disturbance and that too on judging the quality of such a finely churned out movie?? And will they release a second trailer or should they? A. We do our job as honestly as we can. Especially, the box office and trade reports. Reviews, sometimes, there is too much pressure. Both are handled by different people. Historical inaccuracy is not going to hurt Mohenjo Daro, but the film has to be entertaining and well-paced. Whether the movie is “finely churned out” or not, we’ll only know after release. The confidence in the trade has lessened after the trailer. Good music and better promos can give the film a boost. [advert] Q. Your choice for top five directors? A. Rajkumar Hirani, Neeraj Pandey, Kabir Khan, Farhan Akhtar, Ashutosh Gowarikar. Q. Is there any site to download free Bollywood-Hollywood Movie? A. I hope you are aware that it’s illegal to download films from the internet. Watch on Youtube, lot of movies are available for a very cheap price. Check out Google Play store. If not, rent a original DVD. Q. How was Aamir Khan Young Dangal look. Will these type of pictures bring more buzz for film? A. Incredible. The man is a legend. Would watch his movies twice just for his dedication and hard work. It definitely has created quite a lot of buzz. Q. What are the reasons behind SRK’s failure to deliver a 300 crore grossing movie on domestic market? Do you think Srk is lesser wise than Amir and Salman due to his some decision like-doing movies like Happy New Year, Dilwale, Fan releasing fan in non festive day ,during IPL,not booking big festive dates in advance for his upcoming releases? A. Didn’t he book Eid? Booking big dates means nothing if your films are not performing at a level that’s high enough to get you solo festive releases. For the trade, the box office performance of the last 1-2 films is more important than an illustrious career. In other words, current standing is what’s most important. Q. What do you think of Mirzya’s trailer? A. Didn’t like it. 5 on 10. Q. Any reasons behind the name of this site ? What does Indicine mean? A. Short form of INDIan CINEma. The plan was keep an option open in the future to cover other film industries. Didn’t want to restrict it only to Bollywood. Q. The genre of Rustom is crime and thriller…don’t u think Mohenjo daro will be the first preference of family audience? A. Yes. If Mohenjo Daro is a good / excellent film, it’ll easily outgross Rustom. Q. Do you think Rustom might get 50:50 or even edge ahead of Mohenjo Daro in screen count at multiplexes if the trailer knocks it out of the ball park? A. It should be 60:40 in favour of Mohenjo Daro. More after the trailer, the look and feel of the film is important to attract larger section of the audience. Q. Was it possible for Happy New Year to collect 45 crores on opening day keeping in mind occupancy,runtime,ticket prices?hope u gonna answer this question A. We stick to official figures here. So until that changes, we wouldn’t want to comment. But to answer your question, generally, it depends on where the occupancy is high. Even if screens, shows, ticket prices are more.. 10 people watching in Mumbai multiplex is equal to 100 people watching at a single screen in Uttar Pradesh. So that argument that some people are posting in the comments section, makes no sense. Q. Compare Dharmendra and Amitabh stardom, I know its not fair but we can have some idea atleast. A. Amitabh Bachchan was way ahead of the rest. During his period of dominance, he was a one man industry. If you follow tennis, he was like Novak Djokovic today. Q. 9 consecutive back to back 100 crore who will break ? A. Salman Khan. Currently only he can break his own records. Q. I agree that Mohenjo daro trailer is not that great as we were expecting…but don’t you think those who are criticising the trailer have nothing to do with history..they are from other fan base? A. Lot has been said about the Mohenjo Daro trailer, let’s give it a break and wait for the film. Expectations now isn’t as high as it should be, which could actually work in favour of the film. Q. If the content of Mohenjo daro strikes don’t u think historical errors won’t matter(if there are some)? A. True. Won’t matter. Q. Which one is more important, nett box office collection or Distributer Share?? A. From a film investor’s point of view, definitely the distributor’s share. The share is high in Week 1. The longer a film performs, the bigger the advantage for exhibitors (theatre owners). Q. Do you think that Saif Ali Khan’s time in Bollywood is over now? Another 2-3 years and he’ll stop getting projects. A. Saif was never a bankable solo star, never will be. His best period was when Hum Tum and Salaam Namastey released. Maybe Love Aaj Kal and Cocktail. But various other factors were in play for each of his solo successes. Q. Is MD vs Rustom still on ? Who will be at the loss if the clash happens ? Should Rustom move or stick to Indepedence day extended weekend with a partial holiday of Raksha bandhan after couple of days of independence holiday …. If it classes with MD , will it be tough to get hit status if the content is not largely accepted .. Do answer A. Lots of Mohenjo / Rustom questions. We’ve answered a few already. We’ll have a detailed comparison article on the site after the trailer launch of Rustom. Expect the article by the end of this month. Q. What should be the lifetime collections of MohenjoDaro at domestic market with average, decent,good and very good word of mouth respectively? A. Could range anywhere between 70-75 crore (worst case) to 200-250 crore (if the film is excellent). Q. Do you think Welcome would have been the first movie to cross 100 cr in India if it hadn’t clashed with Taare Zameen Par? A. Don’t think it lost 40-50% of its business to Taare Zameen Par. The target audience was different and due to the holidays, people could watch both films. Q. Does Rustom have the potential to cross 150 cr on solo release, if the content is as good as Airlift? A. No chance. That ends our QnA session for today. Nearly 45 questions were answered today, we tried to answer as many as possible right to the end of the 15th page of the comments section. Thank you for taking time out from your Sunday to join us.

Sultan Runtime compared to other big movies

‘Sultan’ will be Salman Khan’s longest film this decade, as the film is 4 minutes longer than ‘Prem Ratan Dhan Payo’ and 10 minutes longer than his biggest grosser ‘Bajrangi Bhaijaan’. While runtime does not make a difference to the lifetime collections of films, it could have a significant impact on the opening day collections – especially for films that are targeting record opening at the box office.

IIFA Awards 2016 Winners: Full List

The IIFA Awards 2016 has just concluded in Spain. Sanjay Leela Bhansali’s Bajirao Mastani has won a total of 12 awards in both the popular and technical award categories at the IIFA, which was held in Madrid this year. Kabir Khan’s Bajrangi Bhaijaan was declared as the Best Film of 2016. Ranveer Singh walked away with yet another Best Actor trophy for his performance in Bajirao Mastani. Deepika Padukone

Rough Book Reviews by Critics

[mks_button size=”medium” title=”Average Rating of All ‘Rough Book’ Review – 2.1 stars” style=”rounded” bg_color=”#1e73be” txt_color=”#FFFFFF” icon=”” icon_type=””] Rough Book Review by Mohar Basu on The Times Of India Rating: The narrative is subtle but doesn’t focus much on the teacher-student camaraderie, which is pivotal to such a story. Neither does Anant delve deeper into Suhail’s (a rich brat whose father is a top notch lawyer) journey from reckless to studious. The transformation happens abruptly sans a prelude, which is not impactful enough. The story touches upon a few necessary themes – from teacher poaching to the excessive emphasis on coaching over regular classes – but the ideas don’t find a strong voice in the movie. Their mission of portraying education as a calling and not a money-minting business gets lost in the film’s half-baked execution. Rough Book Review by Rohit Bhatnagar on Deccan Chronicle Rating: Director Anant Narayan Mahadevan, who has made several attempts in the thriller and romance genres, comes out with flying colours with his film ‘Rough Book’. The film is more of an eye opener as it gives a hard and critical look at the education system in contemporary India. Writers Sanjay Chauhan and Anant Narayan Mahadevan have beautifully narrated the issue of ‘teacher poaching’ and the conspiracies running rampant in the Indian educational system. Maneesh Chandra Bhatt’s cinematography keeps the film close to home that you feel like you are living the story. Rupendra Das does a commendable job as a production designer. Rough Book Review by Manisha Lakhe on Nowrunning Rating: Thankfully the locations where the movie has been shot, the gorgeous weather that has been captured beautifully in the movie are such an awesome relief, you understand why the writing may have meandered off into the misty hills… Might make for a decent watch on tv at home where you can start a conversation. Until then you just wish for something sharper than this blunt pencil… Rough Book Review by Kunal Guha on Mumbai Mirror Rating: Rough Book is tiringly slow, lazily written and offers no novel insight into the acute crisis that our educational system presently faces. But it’s still watchable for Tannishtha Chatterjee. Her reading of a passionate teacher is a little less enthusiastic than Jack Black in School of Rock, and a little more practical than Robin Williams in Dead Poets Society. From the rest of the cast, which largely comprises of cameos, Suhasini Mulay, Joy Sengupta and Vinay Jain — all seem casual yet confident of their craft. The location used to convey the rural confines of Suhasini Mulay’s school is perfectly misty for cinematic frames and is a great production find. Review by Shubha Shetty Saha on Mid-Day India Rating: Considering that our cookie cutter education system is in dire need of an overhaul, the intention of this film is right. But, unfortunately, the lethargic script and dialogue give away a lot more than they should. There is obviously no homework done on the subject and hence, the teachers in the film, which includes a few of Santoshi’s supposedly ‘bright’ teacher-friends, dole out gems of advice which even primary school student would scoff at. One such line goes like this: ‘Likhne se pehle question paper ko theek se padh lena’. Tannishtha and the rest of the cast including Suhasini Mulay, Vinay Jain and Joy Mukherjee make a sincere attempt. But that obviously is not enough in the absence of the required research needed to tackle a subject of this sort. Review by Vishal Verma on Glamsham Rating: Further the writer and the director fail to engage and inspire us from the transformation and change in the idea and belief of students. It happens so easily and conveniently to make any impact. Ananth’s earnest thought only gets full support from Tannishtha who delivers a fine performance. Theatre actors Amaan Khan, Joy Sengupta, Kaizaad Kotwal and Suhasini Mulay are competent but a talent like Ram Kapoor is wasted. Juvenile handling and lazy ending adds further to the wounds. Best Rated Films in 2016 Neerja – 4 stars The Jungle Book – 3.8 stars Airlift – 3.7 stars Kapoor & Sons – 3.7 stars Udta Punjab – 3.5 stars Fan – 3.5 stars Dhanak – 3.3 stars Phobia – 3.3 stars Waiting – 3.3 stars Sarbjit – 3 stars TE3N – 2.8 stars Dear Dad – 2.7 stars Azhar – 2.6 stars Traffic – 2.6 stars Laal Rang – 2.5 stars Ki & Ka – 2.5 stars Jai Gangaajal – 2.3 stars Fitoor – 2.3 stars Housefull 3 – 2.2 stars Veerappan – 2.2 stars Baaghi – 2.2 stars Rocky Handsome – 2.1 stars Do Lafzon Ki Kahani – 1.7 stars

7 Hours To Go Reviews by Critics

[mks_button size=”medium” title=”Average Rating of All ‘7 Hours To Go’ Review – 1.8 stars” style=”rounded” bg_color=”#1e73be” txt_color=”#FFFFFF” icon=”” icon_type=””] 7 Hours To Go Review by Rohit Bhatnagar on Deccan Chronicle Rating: ‘7 Hours To Go’ will leave you tangled in a poorly woven web of multiple mysteries. The first half raises your expectations from the film, but all falls flat in the second half. As there are multiple releases this Friday, the film has a fair chance at the box office where it will clash with ‘Raman Raghav 2.0’. ‘7 Hours To Go’ is not a good pick unless you want to witness a murder mystery of 114 minutes and wouldn’t mind leaving the theatre with a muddled head. 7 Hours To Go Review by Mohar Basu on The Times Of India Rating: Saurabh Varma’s inept film can be best summed in Varun Badola’s dialogue that translates to – “Make such an outrageous plan that even in 50 years, no one can believe that we pulled off something like this.” Well, that rings true for the movie as well. 7 Hours To Go is mind numbing. What was touted to be taut thriller, ends up as a damp squib. It probably had a promising idea on paper but loses the grit in transition. 7 Hours To Go Review by Manisha Lakhe on Nowrunning Rating: An angry young man takes seven hostages and asks the police for the head of a super rich man who has wronged him. The result is loud, chaotic and mostly pointless runaround. You want to empathise, take sides – the cops or the hostage taker – but the story is too convoluted for us to care. 7 Hours To Go Review by IANS on Zeenews Rating: The first half of the film is tolerable, but it is during the second half that the director seems to have lost the plot. Quite literally. While the tale is designed as a thriller, the director has infused oodles of light moments with behind the scenes action involving his characters. This defuses the momentum of suspense and the thrill in the narration. The film is supposed to be about the hostages, but their anxiety or anguish is never shown. The only scenes with them are half-hearted and lukewarm. Review by Sarita A Tanwar on DNA India Rating: In a thriller like this, the progression in the script needs to be very effective to keep the viewer engaged. Varma loses control of that in the film’s second half. It’s almost like he didn’t know how to fill the gaps. So he adds scenes and characters that add nothing to the drama and instead fail to hold your interest. For example, too much of screen time is given to the character of hitman Amol Palekar (played by Ketan Singh) when the film would’ve worked fine even without him. The film’s equilibrium is shaken when Varma shifts gears suddenly— just when you are appreciating the director’s detailing, bullets from cars come flying out on the roads of Mumbai in typical filmy style. And what was with making both his lead actresses undress casually in front of their colleagues? The problem with 7 Hours To Go is that style overpowers substance at all times. Review by Shubha Shetty Saha on Mid-Day India Rating: The movie starts going steadily downhill as strange characters like portly unhinged contract killer Palekar and item songs with laughable lyrics are introduced along the way. Except Badola, who has the some smart lines and is pretty good too, not one performance is convincing enough for you to want to believe what is happening on screen.   Best Rated Films in 2016 Neerja – 4 stars The Jungle Book – 3.8 stars Airlift – 3.7 stars Kapoor & Sons – 3.7 stars Udta Punjab – 3.5 stars Fan – 3.5 stars Dhanak – 3.3 stars Phobia – 3.3 stars Waiting – 3.3 stars Sarbjit – 3 stars TE3N – 2.8 stars Dear Dad – 2.7 stars Azhar – 2.6 stars Traffic – 2.6 stars Laal Rang – 2.5 stars Ki & Ka – 2.5 stars Jai Gangaajal – 2.3 stars Fitoor – 2.3 stars Housefull 3 – 2.2 stars Veerappan – 2.2 stars Baaghi – 2.2 stars Rocky Handsome – 2.1 stars Do Lafzon Ki Kahani – 1.7 stars