Kaabil and Raees: Inflated Box Office Collections and our estimates!

There comes a time when a strong stand has to be taken against the inflation of box office collections – which has crossed all possible limits with the release of Raees and Kaabil. The theatres are empty but the collections, both films combined, are at record levels for weekdays.

Before we begin, credit should go to Red Chillies and Excel for keeping the collections at reasonable levels throughout the weekend. They probably had no choice but to inflate Monday onwards because the other film would’ve otherwise overtaken them and that would mean negative reports in the mainstream media – which follows official figures. But that’s no excuse for inflation to levels of insanity when the film isn’t even collecting half of what they have quoted.

There’s been plenty of action behind-the-scenes too. A leaked audio clip had a PR instructing her people that the film has to cross a particular number on Monday. The producer of one of the two films had a spat with a leading trade analyst because he did not quote the official figures on his television show. Success has been celebrated multiple times through parties, numerous media interactions claiming victory – even though the final box office numbers of both films wouldn’t do justice to the stardom of both stars.

What’s been most embarrassing for the industry and the trade is the sheer desperation from both sides to spread the word through the media that the two films are bigger successes than they actually are.

From our site’s point of view, exposing the lies and revealing the truth has quite a few negative effects too. We could lose out on visitors, our traffic could drop, because the craze for box office numbers has reached such a stage where people only want to believe the source that quotes the higher number.

But with the producer numbers crossing all limits of sanity, our credibility, which we’ve built over a period of more than 10 years, is at stake. It’s disappointing because we haven’t been able to do what we love to do. We love analysing the trends, predicting the lifetime collections, giving our readers comparisons between different films – unfortunately, inflation of collections has killed our own interest and has also stopped us from posting our daily box office reports.

Some other random thoughts:

  • The Indian box office is immensely difficult to track, especially the single screens / fixed rentals. On a daily basis, almost impossible. Most figures that are put out are estimates based on collections from multiplexes, links to live theatre samples, circuit figures etc.
  • But inflation even happens at the exhibitor (theatre) level and more so at circuit level – depending on which star or film they are siding with. Very few are neutral and even fewer are honest when it comes to these big films. For example, we receive Rajasthan circuit figures from two different people, and both are quoting different figures for each day.
  • The ‘trade source’ which most people quote, has been at it too over the first few days. Not including collections from the dubbed versions is wrong and completely writing off one film on the first day of release itself is unethical, especially in a clash when the reports aren’t as bad a Mohenjo Daro. Also, 5% inflation of one film and 5% deflation (reduction) of the other, can make a massive difference to the final outcome. Which is why we think, if Rakesh Roshan had kept the figures to actual levels, his film would’ve still been at a fairly good total going in to the second weekend.
  • Also, who takes into account the ticket sold in the first weekend through brand promoters? Without taking any name, a huge amount of tickets were sold in bulk at discounted prices to corporates and brand promoters in the first weekend, which helped boost the collections. As per information from industry insiders, this itself is about 10% of the first extended weekend collections.

And finally, we are putting our own estimates for the two films. Believing it or not is your choice, but we’ve put in immense amount of work in the last few days gathering data from multiple sources – verifying and reverifying – before putting it out. We are going to stick to these numbers from now onwards and the lifetime total won’t be the official figures released by the producers.

A lot of questions are now going to come up with regards to the data already existing on our website. Like collections of a Krrish 3 or a Happy New Year, but be rest assured that the next couple of months will be spent in changing the data on the website. Both the collections and verdicts will be changed. Stay tuned for more.

Our estimate, day-wise, for both films below. Do note, we haven’t yet verified collections for 2nd Friday, which has been marked with * symbol.

RAEESKAABIL
Day 119.758.50
Day 226.0016.25
Day 312.758.00
Day 415.0011.50
Day 516.7513.50
Day 66.504.75
Day 75.754.50
Day 85.204.00
Day 94.503.50
Day 102.752.75
Day 114.004.50
Day 125.005.75
India Total126.7 crore87.5 crore
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307 Comments

  • @Lameen khan ha ha ha. You dumbo jealous loser, who are you to call aamir manipulator? Abe jerk his movies are earning highest in bollywood and your tiny stars cant do that level of business as no one has stardom like aamir. He is founder of all major clubs. Your tiny stars need to do manipulations to chase megastar aamir khan’s records. Shame on you. ETT was first manipulated movie followed by chindi express and krrish 3. So we all know who is manipulator.

  • Over a 100 years have gone by since Indian Cinema came into existence. We’ve seen an umpteen number of superstars who’ve graced the silver screen with their everlasting charm and magnificence. Raj Kapoor, Dev Anand, Amitabh Bachchan, Rajesh Khanna, Shah Rukh Khan, Kamal Hassan, Rajnikant to name a few. They’ve given numerous hits, timeless classics in their hay days. But, there is one name that just stands out – AAMIR KHAN. The Perfectionist of Hindi Cinema. The pioneer of sensible, hard-hitting and most adored Indian films worldwide.

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    This article is not to degrade any other superstar that belongs to the Aamir Khan era, but to showcase why Aamir Khan is not just 2 steps, but 10 steps ahead of his compatriots not just at the ticket windows, but also in terms of filmmaking capabilities.

    Aamir made his mainstream debut in 1988 with Qayamat Se Qayamat Tak. The film went on to become a Blockbuster at the Box Office and hence, Aamir became a household name. Next year came Raakh, an art film that didn’t do too well commercially but Aamir’s performance garnered unanimous applause from the National Film Award Jury.

    Then came Dil, Jo Jeeta Wohi Sikander,  Hum Hain Rahi Pyaar Ke, Rangeela, Sarfarosh, Raja Hindustani, Ghulam, Ishq in the 1990s that were not only huge commercial hits, but also garnered critical appraise from the industry and critics alike. Needless to say, Aamir also made a few mistakes in terms of script selection such as Tum Mere Ho, Jawani Zindabad, Deewana Mujhsa Nahi, Parampara etc. that didn’t give returns at the box office. Being the true virtuoso that he is, he learned from those mistakes and soon everything changed.

    The best was yet to come from Aamir Khan. Under his own name, he started a production house Aamir Khan Productions. The first film under the banner was none other than Lagaan:Once Upon A Time In India. Everyone close to Aamir Khan asked him not to produce it and called it the gravest mistake of his career if he did so. The risk-taker that he is, Aamir went ahead with it, and the rest as they say, is history. The film became a huge hit at the box office, won numerous awards worldwide, none bigger than a nomination in the last 5 of the Academy Awards(Oscars). That same year came Dil Chahta Hai, a cult classic film on friendship and love that changed the dynamics of youth-centric films in India.

    He took a 3 year sabbatical from silver screen post DCH due to personal anomalies.

    In 2005, Aamir came up with a period drama Mangal Pandey.  The film garnered critical acclaim, broke all opening and weekend records in terms of money earned, almost entirely due to his presence, but ultimately flopped due to a higher than normal budget but still went onto be one of the biggest grossers of the year.

    After MP, there’s been no looking back for Aamir. Critical acclaim, national awards, box office records, audience love and trust, worldwide popularity, he gained it all, way more than his current contemporaries namely Shah Rukh Khan and Salman Khan.

    In versatility and dedication towards his craft, there is no adversary for Aamir Khan in the Indian film industry, except for maybe Kamal Hassan. From playing a village boy in Lagaan who speaks Awadhi to an urban high class guy in Dil Chahta Hai in the same year; from a teacher in Taare Zameen Par to a college student in 3 Idiots; from an alien in PK who speaks Bhojpuri to an old distressed fat as hell Haryanvi Jatt father of 2 grown up daughters, Aamir Khan has done it all, and he would repeat it all again if the script demands it.

    ?

    Other stars were confined to their pram of typical genre. Aamir Khan attempted different stuff each time & came out with flying colours! He takes break when he desires, does offbeat films when he wants to, he goes commercial when his heart says- he’s his own person!

    Also, who can forget the infamous blank cheque offered to him by YRF after 3 Idiots’ success for signing 3 films? At the peak of his career and stardom, Aamir rejected blatantly!

    Aamir Khan is not just a role model, but an afflatus for younger generations to give it their all in whichever field they wish to succeed in. If one delves in, could write a thesis on how hard he worked for Dangal.

    “Call me Mr. Passionate, not Mr. Perfectionist“, he once said.

    To keep it simple, we’ll highlight below some parameters that prove why AAMIR KHAN is the greatest Indian megastar ever ahead of his two major rivals – Salman and Shah Rukh. (Aamir has done only 40 films in a lead role. Extended cameos of all actors have been excluded)

    Total films:

    Aamir – 40

    SRK – 57

    Salman – 74

     

    [DOMESTIC BOX OFFICE] 

    Last 5 Films Total Collection & Average:

    Aamir Khan – 1322 crore (264.4cr per film)

    Salman Khan – 1125 crore (225cr per film)

    Shah Rukh Khan – 678 crore (135.6cr per film)

     

    Lifetime Total Collections & Average: 

    Aamir Khan – 1934 crore (48.34cr per film)

    Salman Khan – 2867 crore (38.74cr per film)

    Shah Rukh Khan – 2012 crore (35.29cr per film)

     

    Success Ratio & Average Per Film Decade Wise 

    2000-09 

    Aamir Khan – ( Average per film 65cr ) (Success ratio  78?)

    Salman Khan- ( Average per film 18cr) (Succes ratio 31?)

    Shah Rukh Khan – ( Average per film 32cr)  (Success ratio 67%)

     

    2010 – 2016 

    Aamir Khan– (Avg/film 280cr) (Success ratio 100%)

    Salman Khan- ( Avg/film 179cr) ( Succes ratio 91?)

    Shah Rukh Khan – ( Avg/film 137cr) ( Success ratio 89?)

     

    Some remarks:

    When SRK& Salman tried their hands to break their lover boy & masala hero images respectively with Ashoka, Paheli, Swades, Fan, Khamoshi,Kyun ki, London Dreams, MAMK, Jai Ho to name a few, their movies tumbled unceremoniously at the ticket window.The Prominent force behind Aamir‘s Success is his uncanny, and immaculate sense of script. His success ratio is higher than not only his contemporaries but also the legends of cinema like DilipKumar, Raj Kapoor, Amitabh Bacchhan & RajeshAamir’sNon-commercial/niche films are huge hits at Box-office for ex Sarfrosh, Rangeela, Ghulam, Lagaan, Rang De Basanti, Taare Zameen Par & now DANGAL ( Biggest of Indian cinema infact). That’s why he is called the game changer of Indian Cinema & Legendary Filmmaker K.Balachandra called him Don Bradman of Indian cinema.

     

    TOP INDIA LIFETIME:

    Dangal (385 cr.) (expected)PK (338 cr.)Bajrangi Bhaijaan (315.2 cr.)Sultan (300cr.)Dhoom3 (274.5cr.)

    AAMIR KHAN TOPS with 3 out of 5.

     

    TOP INDIA 1st WEEKEND ALL TIME:

    Dangal(107.1cr)Sultan(105.35cr)Dhoom3(103.2)Bajrangi Bhaijaan(102.5cr)

    AAMIR KHAN TOPS

     

    TOP INDIA 1st WEEK ALL TIME:

    Sultan(208cr.)Dangal(197.6cr)Bajrangi Bhaijaan(184.6cr)Dhoom3(182.45cr)PK(181.45cr)

     

    TOP INDIA 2nd WEEKEND OF ALL TIME:

    Dangal(72.93cr)Bajrangi Bhaijaan(56.25cr)PK(54cr)

    AAMIR KHAN TOPS

     

    TOP INDIA 2nd WEEK OF ALL TIME:

    Dangal (114.9cr)PK (96.4cr)Bajrangi Bhaijaan (84 cr)Dhoom3 (75 cr)3 Idiots (56 cr)

    AAMIR KHAN TOPS with 4 out of 5.

     

    TOP INDIA 3rd WEEKEND OF ALL TIME:

    Dangal (31cr)PK (26.85r)Bajrangi Bhaijaan (20cr)3 Idiots (18cr)

    AAMIR KHAN TOPS

     

    TOP INDIA 3rd WEEK OF ALL TIME:

    Dangal (47cr)PK (41.8cr)3 Idiots (30cr)Bajrangi Bhaijaan (28cr)

    AAMIR KHAN TOPS

     

    **Top India 4th, 5th Weekend and Week Records also belong to Aamir Khan with Dangal and PK.

     

    RECORD ALL TIME OPENERS SINCE 2000

    Aamir Khan- 5 (Mangal Pandey, Fanaa, Ghajini, 3 Idiots, Dhoom:3)

    Salman Khan – 4 (Dabangg, Bodyguard, Ek Tha Tiger, PRDP)

    Shah Rukh Khan – 3 (Kabhi Khushi Kabhi Gham, Main Hoon Naa, Happy New Year)

     

    Important points:

    4 out of 5 record openers of Aamir Khan were on complete Non Holiday- MP, Fanaa, Ghajini, Dhoom3Fanaa took an all time record opening despite facing a ban in a huge state like Gujarat.Salman Khan’s all record openers have come post 2010 and all have been National Holidays – EID/Post Diwali.Except for Main Hoon Na, all SRK record openers in this century have been holiday releases.Dhoom3 & DANGAL hold the record for highest non-holiday openers.As per BOI, Dhoom3 is the biggest opener of this decade in terms of real value.

     

    200 CRORE+ FILMS

    Aamir Khan- 4 (3 Idiots, Dhoom3, PK, Dangal)

    Salman Khan – 3 (Kick, Bajrangi Bhaijaan, Sultan)

    Shah Rukh Khan – 1 (Chennai Expre

  • kuch b ho…..rakesh roshan ki vajah se Haklu expose ho gya…

    srk ne 150crore krne k liye…manupulation kiya…

    ydi aamir khan manupulation krta…

    to…Dhoom 3 300crore par kr jati…

    pk…350 crore..

    or dangal…400crore…

    par aamir ne esa nhi kiya…

    Aamir hi phla aadmi h…jisne bollywood me …

    rantrak system laya…dhoom 3 me…

  • All pics collection are inflated…no one knows exactly what happened…indicine can also publish wrong report..so just go n watch movies..dnt care abt collection..

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