The first trailer of ‘Meri Pyaari Bindu’ featuring two child actors is out. It narrates the story of Abhi’s first encounter with Bindu, which changed his life – even at such a young age. The ‘Chapter 2’ or the second trailer will be out tomorrow (April 4) Watch the trailer below:
The makers of ‘Half Girlfriend’ are gearing up for the promotional campaign of the film, which begins with the release of the trailer on April 10. A new poster, which comes from the cover of the novel, has been released. Shraddha Kapoor (Riya Somani) is seen walking away from Arjun Kapoor (Madhav Jha) – with rain and Delhi’s India Gate as the backdrop.
Q. What’s the impact of clash between Akshay and Shahrukh business wise. Will it be a healthy clash for both stars? A. No clash can be healthy, because at the end of the day it’s business and corporates are involved. The stars may not get involved and it won’t be a ADHM vs Shivaay like scenario, but a lot of money will be at stake – especially for a big-budget film like SRK-Imtiaz’s next which has already been sold for a high price. Recovery was pretty much guaranteed with a solo release and a extended long weekend, but now with a clash the risk is higher and there will be uncertainty. Since ‘Toilet Ek Prem Katha’ is a medium-budget film, recovery will not be difficult. If it gets tax free status in a couple of major states, then recovery becomes even more easier. Purely from a business point of view, it’s a good decision from the makers of ‘Toilet:EPK’. But so many major clashes, isn’t good for the industry. We are cutting into each others business. Q. What is the Imran Khan’s upcoming movies ? Any idea about him where is he? A. He hasn’t signed any film. There are reports that he may turn director, but nothing official just yet. Q. It is true, in 2.0 Akshay Kumar has 12 different looks and Rajnikanth also 5 different looks ? A. The director of the film has denied those reports. It’s not true. Q. What is your expectations about Half Girlfriend ? A. Expectations are high for several reasons; one, apart from ‘Baahubali 2’ there’s no major Hindi film between Badrinath Ki Dulhania and Half Girlfriend. The names associated with Half Girlfriend are big too. Chetan Bhagat and his novels are popular with the youth and it’s the ‘2 States’ brand which helped the film open. Mohit Suri has a following too and the star cast is good. Music album is fantastic, which does help love films. So yes, it’ll be a disappointment if it falls below 70 crore lifetime. Q. With the additional benefit of GST, can Rehnuma open close to 25 crore and TEPK close to 15 crore making a combined total of 40 cr on day 1? A. Too early to talk about this without watching the trailer of both films. Also, there’s no clarity on GST yet. We don’t even know which slab entertainment tax will come under. So once that’s clear the whole scenario could change. We could begin reporting numbers in ‘gross’ like other countries do – and not ‘net’. This will make comparison with older films a little difficult because the real-value has to be taken. More on this as soon as the government releases more info. Q. TEPK might create a lot of buzz due to the clash and the promotion strategies also look good. So can it get tax-free status before release. A. It’s a content driven film and it wasn’t expected to crazy any real buzz before release. But with the clash against a big film like ‘The Ring’ (working title), it’s certain to get plenty of publicity. Last Independence Day had a similar clash, between a big-budget film like Mohenjo Daro and Rustom which had lesser money riding on it. Mohenjo Daro had a very poor trailer and the music didn’t work either. The untitled SRK film is expected to be different – with good music and colourful promos. The trailer of both films will be important, especially for the SRK-Imtiaz film. Q. Best Female directors according to you? A. Farah Khan is by far the most successful. Then there is Zoya Akhtar and Gauri Shinde. Best is debatable, because only Farah Khan films have found universal acceptance. Zoya and Gauri is more high-end multiplex audience and critics. Q. Any idea which film is targeting Republic Day 2018? Golmaal 4, Padmavati (if postponed), Padman Dutt Biopic or is Hrithik Roshan going to announce a new film on that day? Which film would you @indicine release on that day if you had the power to decide? A. Of the films that you mentioned, Padmavati is the biggest but it needs a big festival release because the costs are very high. Golmaal Again is big too, with lower costs. January is actually a good month for film business, it would be interesting to see if a film can cross 200 in January. Kaabil and Raees combined crossed 200. We’d pick Golmaal Again. It could be a risk to release Padmavati just a month after Tiger Zinda Hai. Q. Secret superstar 4aug and then 2 big movies on 11aug… Do you really think, Indian producers are too emotional towards big weekends.. I mean if secret super star finds appreciation and retains 300-400multiplex screen in second weekend…Then it’s going to effect a lot on 11aug release. A. We think Aamir will push Secret Superstar to a different date. He is one of the best minds in film business and he’ll probably know it’s a small word-of-mouth film. It needs two open weeks to grow and perform at the box office. If it comes a week before the two major films, it may not find too many takers in Week 2 unless it turns out to be an exceptional film. Even assuming it’s an outstanding film, it’ll still lose out on business. Q. Why do Rajinikanth films fail to do well in North? Baahubali was nothing in North before it’s release, whereas North people despite being aware of Kabali showed up in less numbers compared to the former. Even Robot despite having Aishwarya Rai and getting a solo release on Gandhi Jayanti weekend failed to do well unlike Bahubali that crossed 100 cr despite a film like Bajrangi Bhaijaan releasing in the second week. Both Prabhas and Rana combined together aren’t as popular as Rajini in North. Then why did this happen? Also talk about Robot 2 here. A. It’s like asking why a Bollywood film featuring a Hindi superstar does not perform as well as Hollywood film in their markets. Rajnikanth’s audience is completely different. The other way to look at it is, how much do Salman-Aamir films collect in Tamilnadu as compared to Rajnikanth films in the state? There’s a big difference. Baahubali was different. Karan Johar lent his name to it, they ensured the film is well-dubbed and promoted it very well too. Exceptional content and the fact that it was a incredible big-screen experience, meant that the film grew on word-of-mouth. Put Prabhas and Rana combined in any other film except Baahubali and their film wouldn’t work in the core Hindi markets either. Robot 2 has Akshay Kumar, a well-established Hindi superstar. It’s a good combination. Rajni will ensure outstanding collections in the South markets, Akshay’s presence will ensure audience come out in the north and other parts of India. Plus there’s Shankar’s who is known to make universal films. Q. Does SRK need to win the clash on Independence Day to save the Dwarf film from clash? A. Certainly. It’s a big weekend and the Aanand L Rai film will be made on a very big budget. So it needs a solo release. To get a solo release, his film with Imtiaz Ali needs to work big. Q. Is Sons of Sardaar still on cards? A. Unlikely. There’s another big film coming which is based on the Battle of Saragarhi. Q. Can SRK-Imtiaz next move to Diwale because Diwali can afford two big movies where one is regional movie? A. May not be the best of ideas. Toilet isn’t a commercial entertainer, while Robot 2.0 is a far bigger film also featuring Akshay Kumar. Plus the Rajnikanth factor will seriously affect film business in Tamilnadu, Kerala, Karnataka, Andhra Pradesh and Telangana. It’s better to stick to Independence Day. Diwali advantage is there for a couple of days, but Independence Day weekend this year has plenty of holidays. Q. How dis Telugu films like Khaidi No. 150, Sardaar Gabbar Singh and Katamarayudu manage to gross more than 40/30 cr on Day 1? Even the ticket prices in North states like Mumbai, Delhi higher than those in Andhra and Telangana. Then how they achieve this feat? A. That’s because the entertainment tax for regional films is very less or they are completely tax free. Plus, actors like Chiranjeevi and Pawan Kaylan are major – Rajnikanth-like superstars – in their home states. So they bring in bigger audience. Q. How much Naam Shabanaa needs to collect to emerge a semi hit atleast?? Asking a question after a long time :) A. 35-40 crore for break even. Q. Why do you call Salman Khan a megastar even though his only non-holiday release Jai Ho opened to only 18 crores? A. Jai Ho had a massive first weekend at the box office. High ticket sales, cheap ticket prices, 26 crore on Sunday. All this for almost a B-grade looking film, with hardly anything in it except Salman’s presence. Plus, he has 8 blockbusters or better out of his last 10 films. All of them 100 crore grossers. Four consecutive 200 crore plus films. 800 crore plus domestic business over a period of 1 year (Bajrangi Bhaijaan to Sultan). Bumper opening for almost all films. This sort of a run has never been seen before. We aren’t even talking about television or his growing fan base overseas. Megastar is actually an understatement. Q. Varun Dhawan has not seen any failure yet. 8 successful movies in a row. Is there any other actor has seen anything like Varun in his early stage of his career. A. We can’t think of any other actor who had a run as successful as this – right from the beginning of a career. Q. When will a film take better advantage of a holiday, when the holiday falls on Friday, Saturday or Monday? Arrange them. A. It depends on the content. For a film that finds acceptance, Monday holiday would be good. For average entertainers with big buzz, Friday / Opening day holiday is the best. Q. Why industry in not learning from the negative impact of Big star’s movie clashes? A. Now, the problem here is, the entire industry has to unite to avoid such clashes. Because somewhere the industry and its investors are losing money on such clashes. But who is to be blamed here? Kaabil was announced for Republic Day, Raees decided to come on the same date. Now, when the Imtiaz film is announced for Independence Day weekend, Toilet Ek Prem Katha has taken the same date. Now, SRK isn’t really in a position to ask the other banner to avoid the clash just because he announced his film first. Chennai Express had taken Once Upon A Time In Mumbaai’s date. Dilwale took Bajirao Mastani’s date. Son Of Sardaar took Jab Tak Hai Jaan’s date and Ajay was at the receiving end when ADHM took on his ambitious Shivaay. In short, everyone is looking at his own interests, which is fair enough when it comes to business. Unless the industry unites and acts more a family, such clashes will be inevitable because there are very few big dates or holidays and everyone wants them. Q. Can Judwaa 2 cross 150 crore?? And what will be the ideal date for Varun’s next with Shoojit Sircar a movie which is a heart-breaking love story? A. Judwaa 2 definitely has a chance to do 150 crore plus if it’s a good entertaining film. If David Dhawan is anywhere close to his 90s best, the film will be unstoppable. Not much is known about the Shoojit Sircar film with Varun Dhawan. Q. Is there any chance to win the clash by Akshay Kumar? A. Winning will be difficult, but it doesn’t even need to beat the SRK-Imtiaz film. Nothing can be said with certainty when it comes to any films performance at the box office. Anything can happen, but Toilet is a much smaller film. [advert] Q. Why hasn’t Hollywood made a movie on the Mahabharata? A. How can we answer this? Back home, Aamir Khan is planning. Q. Do you think Padmavathi will release in this year itself considering the delays? A. After our QnA last week where we said the film might get postponed and Dutt biopic might release on that date, the makers have released a clarification that Padmavati will release as previously planned. The schedule is messed up though and it’ll be a battle against time to complete Padmavati and release it in November. More on this soon. It’s nearly 3 hours since we started the QnA and although we couldn’t answer as many questions as we wanted to today, We’ll have to end the QnA today. Thank you for joining us. The rest of the questions that have already been posted, will be answered soon.
One of the very best actors in the industry for over 2 decades, Ajay Devgn celebrates his 48th birthday today. The actor, who made his debut way back in 1991 with ‘Phool Aur Kaante’, was always considered to be one of the most gifted actors that we have in the industry.
The teaser trailer of ‘Mom’ featuring Sridevi in the lead is out. The Ravi Udyawar directed film has been...
Naam Shabana has exceeded expectations at the box office. The film has collected a little more than 5 crore on its...
Bollywood superstar Akshay Kumar has not only planned a excellent promotional strategy for his upcoming film ‘Toilet: Ek Prem Katha’, but the actor will dedicate more time than he usually allots for movie promotions – because his next film is about a social cause that is close to his heart too.
The makers of ‘Meri Pyaari Bindu’ have released a 2 minute long teaser – introducing the lead...
Bollywood Superstar Shah Rukh Khan, an industry outsider who once famously said he would rule the city of Mumbai one...
2015’s Baby wasn’t a huge hit, but it earned some praise from the critics and went on to do sizable...
[mks_button size=”medium” title=”Average Rating of All ‘Poorna ‘ Review – 3.2 stars” style=”rounded” bg_color=”#1e73be” txt_color=”#FFFFFF” icon=”” icon_type=””] Poorna Review by Neil Soans on The Times Of India Rating: Returning to a directorial capacity after 16 years, Rahul Bose recognizes the beauty in simplicity and uses it to the film’s advantage. Grounded performances combined with stirring music elevate this relatively straightforward tale, making it essential viewing not only for the young Indian woman, but for anyone looking to scale great heights against all odds. Poorna Review by Dhrubo Jyoti on Hindustan Times Rating: Unfortunately, it’s all downhill from here. As Poorna climbs higher and higher, so does the rhetoric pitch in the movie. There are jarring songs in Hindi that clash with the Telugu dialogues and the rural Telangana setting of the movie, formulaic plants like a letter from a dead relative and the compulsory rousing song at the climax. Most of all, Poorna cannot bear the weight of Bose’s savior character who is going to change people’s lives and a state’s education all single-handedly – the talented girls and the amazing support cast of Dhritiman Chatterjee and Heeba Shah all recede to the background. Poorna Review by Mayank Shekhar on Mid-Day India Rating: At the centre of it all is still a film that checks all the boxes so far as the running box-office formula is concerned. Yes, it’s a sports film. Yeah, it is a biopic. Sure, it is female-centric, and about gender empowerment. And while relatively low-budget, no doubt, it is cinematic enough, given that the camera really travels from Telangana, Darjeeling, to the supposed heights of the Himalayas. Review by Jaidev Hemmady on Movietalkies Rating: Poorna is not just a film, but also a source of light that illuminates the conditions of social welfare schemes by the government and the plight of certain sections of the society. There is one scene in the film where these bunch of girls from poor families play a game wherein they have to compete about who is the poorest and though the scene may make you grin at their cheekiness, it will also pack a punch to the gut. The film has been shot quite realistically and beautifully and certain scenes in the film will make you realise what a tough task it must have been to shoot this film. Review by Sreehari Nair on Rediff Rating: Three performers here exist only to make Rahul Bose’s Praveen Kumar look good: Harsha Vardhan as the chief minister standing in for the confused state of our governance, Dhritiman Chatterjee who comically interrupts conversations to say nothing of significance, and Heeba Shah who can be heard mau-mauing through most of Bose’s plans. By the end, Rahul Bose the director shortchanges everything from our bureaucracy, to our politics, to our social structures, so that his kindness can shine through and make Poorna smile. Review by Shubhra Gupta on Indian Express Rating: The recreation on film can be patronising, or it can bump up the protagonist falsely to create a sense of their importance. Poorna stays away from these pitfalls: Bose, whose second directorial venture this is, gives us closeness without cloying sentimentality, and saves the triumphal swelling music for the climax, when Poorna makes her ascent. Review by Kunal Guha on Mumbai Mirror Rating: Bose, the forgotten hero and reluctant filmmaker, has taken on the Herculean task of delivering this ambitious tale with limited means. Many argue that budgets barely restrict one’s vision. But when you’re showcasing the Himalayas and fail to furnish breath-arresting shots from strategic mid-air vantage points, the lack of resources proves to be a handicap. While Poorna is dedicated to two people who happen to be the maker’s “auricles and ventricles”, it ironically lacks just that — heart. Review by Vishal Verma on Glamsham Rating: Technically sound, Subransu lense does the required talking and the shots of snow-clad mountains are eye popping. Manan Mehta’s editing is crisp. Salim-Sulaiman’s music receives special mention for its ability to seamlessly push the narrative forward with the desired effect. Poori Qayanaat and Kuch Parbat Hilaayein are well tuned and performed. POORNA is a story that needs to be told. The movie upholds the power of will, determination and confidence that can make you scale the highest peak, it’s a small little motivating gem recommended for those who look for some meaning in their life and cinema. Review by Saibal Chatterjee on NDTVMovies Rating: Aditi Inamdar is perfectly cast, as is S. Mariya as Poorna’s spunky cousin Priya, who eggs the heroine on to change her fate. Aditi and Mariya are such naturals that they do not need to ‘act’ to convey their emotions. The delightful little shenanigans that the two girls indulge in until the real world catches up with them give the audience a reason to forge an instant connect with them. It lasts all the way to the end of the film. Aditi’s scenes with Bose, too, come off rather well. Segments of the audience might however be left feeling a tad shortchanged by the limited focus on the eventual expedition that catapulted Poorna Malavath into mountaineering history. But Poorna is a large-hearted film: more a heartfelt portrait of courage than just another routine underdog film. Small gripes shouldn’t offset its overall impact. It is considerable. Poorna Review by Indiaglitz Rating: Everything is easily shown in the movie. The hardship track seems to be missing. The finale part of Mt. Everest should have been meatier. Lack of face value and low marketing might hamper the film. The real life story has more substance than the one presented in the movie. The climax part was bit hurried and needed some drama in it. Rahul Bose’s character was over sweet and did not have any layers attached to it. ‘Poorna’ is a beautiful messaged based film which displays a real life heroic tale of a young girl from the rural parts of India. Review by Manisha Lakhe on Nowrunning Rating: The film is a straightforward narration: Little girl from the back of the beyond finds her calling in climbing mountains and then goes on to climb the Everest, the highest mountain in the world. Her story is inevitable. There are no surprises at all. Review by Rohit Bhatnagar on Deccan Chronicle Rating: For a director, it is not easy to execute the plot keeping factual accuracy in contention in every frame. The hard work that Rahul and his team have been putting since the last two years is commendable. The film might not have commercial viability in terms of a big star cast or massive production value but Poorna is a film which surely moves your heart. Review by IANS on Sify Rating: Aditi Inamdar shines as the fragile but strong-willed Poorna, essaying her character with amazing sincerity and naturalness, making it look convincing. S Mariya as Priya is equally delightful and strikes an emotional bond with the audience. The duo and their camaraderie is a treat to watch. Rahul Bose as Praveen Kumar is earnest and effortless. Heeba Shah as an official in a no-nonsense and stern avatar and Dhritiman Chatterjee in an insignificant role, are wasted. Arif Zakaria too goes unnoticed. The other actors in fact support them ably and are aptly cast as they lend a natural flavour to their characters. Review by Rajeev Masand on News18 Rating: Poorna’s triumphant ascent to the snowy peak is left to the final moments in the film. Bose chooses silences and quiet interludes over booming background music to highlight these bits, and it’s a wise choice. Because while Mount Everest may be the reward, it’s Poorna’s journey overcoming poverty and patriarchy to find her wings that the film is actually about. Best Rated Films in 2017 Anaarkali of Aarah – 3.4 stars Trapped – 3.4 stars Jolly LLB 2 – 3.2 stars Kaabil – 3.2 stars Rangoon – 3.1 stars Badrinath Ki Dulhania – 3 stars Haraamkhor – 3 stars The Ghazi Attack – 2.9 stars Raees – 2.9 stars Ok Jaanu – 2.5 stars Phillauri – 2.4 stars Running Shaadi – 2.4 stars Commando 2 – 2 stars Irada – 2 stars Mona Darling – 1.9 stars Kung-Fu Yoga – 1.9 stars Coffee With D – 1.5 stars Machine – 1 stars Aagaya Hero – 1 stars
Here’s the motion poster of ‘Mom’ a thriller featuring Sridevi in the lead. The film has been directed by Ravi Udyavar and produced by Boney Kapoor, Sunil Manchanda and Zee Studios. ‘Mom’ also stars Nawazuddin Siddiqui and Akshaye Khanna. The film releases in theatres on 14th July, 2017. Check out the motion poster:
The first look poster of ‘Meri Pyaar Bindu’ featuring Ayushmann Khurrana and Parineeti Chopra is out. The...
Naam Shabana has received mixed reviews, which once again makes the decision of screening the film two days in advance for the ‘critics’ seem quite stupid. Most reviews are between 2 to 3 stars.
‘MS Dhoni: The Untold Story’ is Neeraj Pandey’s first major success on television, as the film on its...
Aamir Khan’s brother Faisal Khan is ready with his comeback film ‘Danger’, which is scheduled to...
Riding high on the success of his latest film ‘Badrinath Ki Dulhania’, actor Varun Dhawan has said his next film ‘Judwaa 2’ has a special cameo from none other than Salman Khan. Salman, who played the double role in the 1997 David Dhawan classic, has a small cameo which Varun says will “surprise” and “make people happy”.
Anushka Sharma’s ‘Phillauri’ is struggling at the domestic box office, even as the three-week old...
Shraddha Kapoor has posted a new still from her upcoming film ‘Haseena’, which also features her brother...
The box office clash between Shah Rukh Khan’s untitled film and Akshay Kumar’s Toilet Ek Prem Katha (Toilet:EPK) will be the talking point for the next few months. On paper, it looks one-sided. The untitled romantic film has a much bigger star cast with one of the biggest crowd-pullers in the industry (SRK), one of the most popular female stars (Anushka Sharma), well-known director (Imtiaz Ali), big budget and the music is expected to be a strong point too (Imtiaz-Pritam).
The first look poster and motion poster of ‘Half Girlfriend – featuring Arjun Kapoor and Shraddha Kapoor in...
It’s going to be yet another mega-clash at the box office this year. After Shah Rukh Khan vs Hrithik Roshan...
A few pictures of Bollywood superstar Salman Khan with his young fans have made its way onto the internet from the sets...
Filmmaker Karan Johar has said the ‘Baahubali’ franchise is the biggest movie event in the history of...
Anshai Lal’s Phillauri managed average collections in its first weekend at the box office. The film took a slow...
