Shahrukh Khan has wished good health and happiness for his friends Saif Ali Khan and Kareena Kapoor, who became husband and wife following a registered marriage, at Saif’s Bandra residence in Mumbai.
“Happiest marriage bond to my friends Saif and Kareena. May Allah keep your family healthy and happy. Just saw it is registered, sealed and delivered” tweeted SRK.
The actor has shared screen-space with Saif in Nikhil Advani’s Kal Ho Na Ho and worked with Kareena in last year’s Ra One.
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God Bless saif and kareena.. Thanks shahrukh :) You are the real KING who always win hearts..
249+ honymun wid saif and we cant imagin wid shahid.. haha,
Big wishs 4 ur 250s honymun, Kreena outstandng work.. !
Hmmm mujhe bahut jalan ho rahi hai mujhe bhi ch¥dai karni hai hmmmm please mere madarch¤d fans mujhe ch¤do hmmmm tumlog kaise ch¤d¤ge tumhare paas to l¥nd hi nahi hai hmmmm salman fans please mujhe ch¤do.
Wish saifeena happy married life..
Srk is looking damn gud….
music review jtjh by filmfare..aka srk pro mazagine
The combination of Yash Raj Productions with AR Rahman and Gulzar would normally have us bursting firecrackers from the rooftop. Normally being the key word. Rahman is a genius. Period. Geniuses shouldn’t be shackled. This album sounds as if the maestro was told to toe the Yash Raj line. Hence, instead of following his heart and making wild, vibrant music, Rahman has made maple sugar sweet music. As they say, too much maple syrup makes your pancakes go all mushy. And that’s exactly what has happened.
The sole exception is Challa, whose cranberry juice tanginess is addictive. Keba Jeremiah’s guitar in tandem with Ranjit Barot’s drums coupled with Rabbi’s raw voice makes you want to listen to it on loop. It does remind you of Rabbi’s own Bulla but you tend to forget it all and just submerge yourself in the song.
Then Saans comes along. It reminds you of Do pal ki hai from Veer-Zaara (2004). Rahman has segued into Madan Mohan territory, Shreya Ghoshal sounds like a distant echo of Lata Mangeshkar and Mohit Chauhan is definitely off key. Yes, it does have violin, flute, drums and dafli combination but something is missing. Like someone forgot to put eggs in a cake mix. Great taste, but it won’t rise. Shreya’s reprise version sounds better but only just.
A dash of colour gets added to the fast paced arabesque number Ishq shava with the use of such instruments as oud, mandolin and saz. Kudos to Tapas Ray for his virtuosity. Raghav Mathur and Shilpa sing it with the zest it deserves. It reminds you of Rahman’s old numbers from down South though.
Heer is easily the best song of the album. Gulzar rewrites the Mirza-Sahiba love story and Rahman keeps the dafli, dholak based music to the minimum. Harshdeep Kaur’s salt of the Punjabi earth voice is apt for the song.
Chandresh Kudwa’s guitar work and Neeti Mohan’s vocals make Jiya re an interesting combination. This is vintage Rahman, the composer throws something unusual and you grapple with it and finally like it.
Then comes the weakest link in the chain, the title song. The multilayered orchestration doesn’t save it from being abysmal. Shakthisree Gopalan’s voice overpowers that of Javed Ali (who sounds so much like Sonu Niigaam, it’s not funny). Rahman has never goofed up on voice casting but, as they say, there’s a first time for everything. We know that even Homer had his off days.
Ranjit Barot’s drums are in the forefront in the instrumental Ishq dance. But again, it’s not a patch on Rahman’s instrumentals from Roja onwards.
The orchestration of Jab tak hai jaan (the poem written by Aditya Chopra and recited by Shah Rukh Khan), tries to capture the magic of Yeh raat hai (from Silsila), the interlude recited by Amitabh Bachchan in the midst of Yeh kahan aa gaye ham.
All-in-all, Jab Tak Hai Jaan’s OST neither has Rahman’s nor Yash Raj’s trademark sound. In trying to please everyone, the parties concerned have, like the cat who got greedy over too much cream, smothered themselves with their own indulgence. Results would have been infinitely better if only Rahman had been given a free hand…
Best wishes to d newly wed couples
Indicine team,why are you like this ? During Amitabh Bachan’s birthday,Akshay Kumar,Sachin Tendulkar & south star Mohanlal wished him. Then Dhoom 3 is the first Bollywood film to be released in IMAX format. You have not published these news.But you published an article like SRK’s first onscreen kiss.
?Ajay to Yash G : Mere paas Son of Sardaar
hai, jisme Sallu, Sonakshi, Sanjay hai. Eros,
Ajay devgn films, viacom, T-series
promotion kar rahe hai. Dabangg2 ka
trailor hai. Himesh, Mika, Honey Singh &
Rahet fateh ali khan singer hai. Action,
drama, masti, Love & emotion hai.
Tumhare paas kya hai?
Yash G : Mere paas SHAH RUKH KHAN hai.
Ajay : Aiycha gavat, majhi satkli re. My
chest become blouze :-( :-(
If Ajay is so confident why he using SALMAN khan in his film for guest/song etc. Otherside SRK not doing any showoff for his movie coz he is confident by his acting skills and God Blessing. Now by seeing Ajay/Salman tactics i am confident with SRK movie.
10 year old kareena kapoor had attended saif ali khan’s marriage with amrita singh in 1991. Kareena congratulated the couple at that time to which saif replied “thank you beta”!
@a facebook comment excellent what a perfect shot very well said hahahahaha…..
A boy n girl r happy in love in London…
Suddenly she ditches him…
Boys heart broken N leaves London to join Indian Army…(his dad’s last wish)…
There he saves life of a reporter…
With whom he falls in love…
Reporter says no.. And ask him to be JUST FRIENDS…
Boy again heartbroken.. Leaves her…
Suddenly London girl n reporter realise they r in love with d boy…
But when they go to meet him . He’s found in COFFIN…
” DIS IS DA STORY OF JAB TAK HAI JAAN ”
NJOY… :)
@deepak. Woh real comment facebook se tha.
wishing saif and kareena a very happy married lyf :)
DIWALI BEKAR BINA SON OF SARDAR.
jiya re from jthj looks diaster awaited..seriously music is bad for yashraj film…gud news for sos,talaash,k-786
srk a true king