The Jiya Re song video from ‘Jab Tak Hai Jaan’, starring Shahrukh Khan, Katrina Kaif and Anushka Sharma. The film is directed by Yash Chopra, the music of JTHJ has been composed by A R Rahman.
The song ‘Jiya Re’ has been sung by Neeti Mohan, featuring SRK and Anushka Sharma. The film is scheduled for release on November 13th 2012.
Jiya Re Song Video Details
Video Title: Jiya Re
Music Director: A R Rahman
Lyrics: Gulzar
Singer(s): Neeti Mohan
Picturised on: Shahrukh Khan, Anushka Sharma
Movie: Jab Tak Hai Jaan (2012)
Director: Yash Chopra
Starcast: Shahrukh Khan, Katrina Kaif, Anushka Sharma, Rishi Kapoor, Neetu Singh
Producer: Aditya Chopra
Banner: Yash Raj Films
Release Date: November 13th 2012
For more details: Jab Tak Hai Jaan Movie Page
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ya ett music was very poor.ett was one of the disaster album of this year but film become hit. but ett music is 10000000 time better than sos
The legendary Yashji, after 8 long years of directorial hiatus& hibernation returns to lights,camera &action, specifically for srk with a team comprising of phenomenal achievers like a.r.rahman and gulzaar saab to do ‘jab tak hai jaan’. With due respect to all the legends, the final product is looking like a “spoilt cooked food” as per the saying “too many cooks spoil the broth”. Honestly a lot was expected from such a distinguished collaboration but jab tak hai jaan is below expectations and it couldnt meet the huge expectations of fans from such a reputed achievers. Though the trailers,music and videos are not that bad for ‘eyes,ears,heart and soul’ it is not that spectacular either and to an extent ‘heer’ & ‘challa’ are slightly better than the other songs which sound something like the 90’s western & indian mixed radio music and the videos reflect yashji’s dilemma in trying to fill up new wine in an old bottle. Well will this wine called ‘jab tak hai jaan’ taste better than ‘veer zara’? Only the diwali week can and will answer.
awwlllaaaa
hats off
PO PO PO
LOL! what is it?
is it a song ??? #shame
Blockbuster
@arqam. PO stands for power on/people’s only/please once more/ powerful oorja(urja) etc
Excellent picturisation,srk looking awesome and anushka will surely make thousand of boys in love with her including me.:-)
gonna be flop 4 sure…Bye Bye SRK.
Exclusive SoS ki story
__________________________
Ajay devgan ka bap aur sanjay dutt ke
bap m dushmani hoti h
Aur dono ek dusre se ladte hue mar
jate h
Ajay ki maa use punjab se delhi le ati h
Fir 28 sal bad ajay bda ho jata h jb tb
use ek letter ata h jisse use pta lgta h ki
uske nam p gao m thodi property h
To wo us property ko bechne wapis
gao jata h
Train m use sonakshi milti h, wo sanjay
dutt ki bhen h
Ajay ko usse pyar ho jata h
Wo use apne ghr m le jati h thehrane k
lie
Bt bad m sanjay dut ko pta chlta h ki
ajay to uske bap k dushman ka beta h
But sanjay dut k ghr ka ek rule hota h
ki ghr m koi ladai jhagda ni hoga, nd
ghr k mehman k sath koi marpit ni kri
jayegi
Uske bad sanjay dut aur ajay m panga
hote rehte h
Nd last m ajay sonakshi ki jan bchata h
to dono ek dusre ko maf kr dete h
Nd sonakshi ki shadi ajay se ho jati h
______________________________
Ye lo bhailogo, puri khani ho gyi khatm
______________________________
Ab jake kuch nya dkho diwali pe
In Russia, Shah Rukh Khan Is The ‘New’ Raj Kapoor
By Elena Igorevna Doroshenko
17 Oct 2012
Posted 17-Oct-2012
Vol 3 Issue 41
Despite the numerous hurdles obstructing the pleasure of viewing Indian films, they have not completely lost their appeal for Russian viewers, as indicated by the appearance of a satellite channel India TV, broadcasting Indian films and programs and the screening of a few films on the state channel Domashniy (Home) to mark the “Year of India in Russia.”
The new Indian cinema does indeed hold promise firstly because Russian viewers have noticed the high quality of the productions, acting, and scripts even though they might not have evolved a clear notion of “Yash Raj films” or “Yash Johar films” as yet. Secondly, the wider variety of themes and issues explored in the new films also appeals to the new audiences.
A still from Shahrukh Khan’s latest film, ‘Jab Tak Hai Jaan’ (Courtesy: Yash Raj Films)
The most well-known Indian actor in contemporary Russia is undoubtedly Shahrukh Khan. While older generations of fans might appreciate his manner of acting and compare him to Raj Kapoor, they believe that Khan’s films are about love whereas Raj Kapoor’s were actually made of love.
Although Khan’s acting might have been influenced by others, including Raj Kapoor, his style is distinctive and has the sincerity of “old-style” acting. He is viewed as emotional and lively, quick in speech and gestures, masterfully combining hand gestures (sometimes sophisticated to the point of mannerisms) with facial expressions and as possessing an intense and easily identifiable manner of acting. Yet, his work is probably better described by the word “performing” rather not “acting” (Shiekh 2006: 189–190)….
Notwithstanding his intensity, charm, and emotional and physical malleability, Shahrukh Khan appears to be acutely aware of the presence of cameras often displaying more self-control than interiority in contrast to Raj Kapoor who appears to be totally absorbed in, relaxed, and even carried away by his character.
Kapoor’s sincerity and spirit appear to be internal, natural, accentuated, and supported by acting, but not “acted out.” This is the reason why his words and gestures, even if “subtle,” are seen as containing profound meaning.
In other words, he is viewed as an actor who does not need a stream of tears to persuade his viewers and can send out a more dramatic message with a single close-up portraying the faintest hint of a tear. Yet another of his “trademarks” is the seamless switch from one mood and one pose to another. With his versatility, the choreographed song-and-dance numbers featuring dozens of dancers in the background might have appeared like an overload in his films.
Coming back to Shahrukh Khan, it should be said that he, as an actor or performer, is surprisingly universal. Given any kind of role, he appears to put in his best, be it the “Raj/Rahul” character that he appears to have patented, the stammering (his trademark) young man in Darr (1993), or even the Asperger’s syndrome–stricken Rizwan Khan in My Name Is Khan (2010), which is definitely his strength, appealing to the audiences around the world (ibid.: 245).
Such universality is, of course, grounded in the diversified plots and themes of the new Indian cinema. With love and romance remaining the dominant theme, it is set against such new backdrops as migrating abroad and preserving traditions (as in Dilwale Dulhania Le Jayenge [1995], Pardes [1997], and Kabhi Khushi Kabhie Gham [2001]); terrorism (Dil Se [1998], Phir Bhi Dil Hai Hindustani [2000], Main Hoon Na [2004], and, obviously, My Name Is Khan [2010]); and even Indian cinema itself and its social impact and meaning (Om Shanti Om [2007] and Rab Ne Bana Di Jodi [2008]).
As love stories become increasingly complex and edifying, foregrounding the issue of moral choice as in Kal Ho Naa Ho (2003), Kabhi Alvida Naa Kehna (2006), Mohabbatein (2000), and Kabhi Khushi Kabhie Gham, they would definitely appeal to Russian audiences.
Speaking of Kal Ho Naa Ho, the only possible plot-related question impeding its interpretation might be the strong message of sacrifice, leading to their perceiving it as an improbable surrender (the same would be true of Sangam, for example) because, in Russian thought, sacrifice might be viewed as a noble and uncontrollable act but not greater than love. For this reason, Dilwale Dulhania Le Jayenge and even Dil Se, despite its tragic end, would definitely be more credible and “culturally open” in Russia.
The themes of emigration, loneliness, the threat of the loss of tradition and self-identity (and terrorism, for that matter) are also identified with, even though they do not have a cultural resonance for Russia as they do for the US, Ireland, and Israel, for example.
Films like Om Shanti Om and Rab Ne Bana Di Jodi would require high-quality translation and adaptation more than any other films. If Kal Ho Naa Ho and Kabhi Alvida Naa Kehna might have been completely lost on the audience due to the low-quality translation and dubbing “litter,” eventually ruining Shahrukh Khan’s performance, Om Shanti Om, with its unusual plot structure in which one story is embedded within the other and contains plenty of allusions to earlier films, might have gotten reduced to a flat and naïve musical comedy with a supernatural twist.
Speaking of a “typical” Indian film of today from a Russian perspective, the first thing that comes to mind is Paheli (2005). This harmonious and well-balanced film, containing a wonderful mystical love story and full of traditional charm, as well as song and dance, completely matches the expectations of Russian fans.
In conclusion, it would not be an exaggeration to assert that Indian cinema in Russia, even after the long period of “silence,” still holds promise and has a future as cultural and political ties between India and Russia grow closer again with Indian films playing a significant role.
For example, when the Russian president, Dmitry Medvedev, visited Mumbai at the end of December 2010, he met Shahrukh Khan and mentioned the first Indian film he had ever seen back in the 1970s.
In Mumbai, he was also introduced to the Indian actors who took part in the shooting of Russian–Indian TV series, Indus (Hindu) (2010), the first joint cinematographic project between the two nations in 20 years. All these signs are very positive indicating that the Russian interest in Indian films still continues and Indian cinema still has plenty of loyal Russian fans.
aftr seeing this video i started lyking dis song, coz d bubby attitude of akira which i cn relate wth myself & moreover the sizzing chemistry btwn “SHAHNUSKA”.. jst luvd it..<3
My dear fans, Po po pur pur pit pit and all is not going to save sos from being an all time disaster.
one thing for sure in any matter may be srk is linked or not. people are commenting good \bad\bad languages about him .you can hate him or love him but cant ignore him.I reaaly doubt the haters of SRK are they thinking anything xcept srk??any posting about salman.haters will comment vai is grt srk is finished.any posting about aksahy haters commnet khildai is grt srk sucks.it is an intersting matter ,in any post comment about srk surely comes!!!
Story my sanspense hy islye movie blockbuster
all time blockbuster hot anuska salute to army officer
s
fantastic song, awesome locations anushka and srk luks gud ppl will remember dis song for long time.
really crap song going yuvraj way..diaster awaited
If one person gives the negative comment too many times with different name it won’t effect the film like jthj dear najais salman.k fans
guys after repeating i found aamir khan in this song jst c video at 1.04 min in black t shirt c he is hiding behind moustache